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Zazen for Beginners Series: THREAD for QUESTIONS, COMMENTS
Jukai study takes place beginning around August and September, and the ceremony is in January. Feel free to study the precepts if you like until then! Keep up the sitting.
Jundo, thank you so much for the beginner series. I have just completed number 22. I am sitting for 20 min a day. Working up to thirty next week. I would like to have a joki with you. When may I do that? Where should be my next lesson?
Dear All,
As you know, we've asked folks to write “SAT TODAY” next to their signature before posting in this Forum. "SAT TODAY" means that someone has sat Zazen sometime during the past day, and that they will have “sat before chatting” in the Forum.
Signing "SatToday" - Please
In that thread Jundo asked of the Sangha:
"I am asking that all Treeleaf members, in some way, perform an extra “good deed” each day (something that they do not otherwise daily do) dedicated in their heart to Treeleaf Sangha. When they do so, they should put “LAH” or “Lent A Hand” next to their signature too, as a way to show their participation by having done a special deed during the previous day. For example:
I am generally a messy person so my wall looks like this:
[ATTACH]4940[/ATTACH]
Way better than a boring white wall.
Gasho, Jishin, _/st\_ , LAH
Sent from my iPad using Tapatalk Pro
So long as one is not judging or getting caught in thoughts about the mess ... then what mess? One is then sitting with a mind that is the most pristine room in the universe.
Move back away from the wall, or see the whole room or the floor. However, sit without thinking of wall, room or floor. Just let them be, and don't ponder them or be bothered.
Some commentators have noted that, more than sitting "facing the wall," we actually sit more "like a wall sits." A wall does not care if the sun is shining or it rains, if a child bounces a ball on it or a cat urinates on it. Just Sit.
This concerns where we sit. I have been trying to sit up close with a wall just like the image posted a few posts back when I'd asked a related question. It feels a little too much and in my face. I find that sometimes sitting with the whole room in view or just keeping the gaze on the floor ahead works best. Just wanted to get your quick opinion.
Gassho!
In the observation of respiration, particularly in the Hara area, it is the movement of the muscles of the lower abdomen that must be contemplated and not the breathing as such, this is the
correct consideration of how to observe the breath ?.
Thanks for your kindness.
Gassho.
Francisco
Hi Francisco,
I would say that nothing should be contemplated. Generally, following the breath is a temporary measure in Soto Zen (I will explain below), but good for beginners to settle down a little by sensing the air enter and leave the nostrils. One should just be lightly aware.
Eventually, in Shikantaza, one should move to "Open Spacious Awareness" not focused on the breath or anything particular at all.
As to Dogen, all he advises (in Fukanzazengi and elsewhere) is to "take a breath and exhale fully", and then turn to "thinking not thinking non thinking". In a section of Eihei Kokoru he is extremely and explicitely critical of breath counting or following (p 114 here https://books.google.co.jp/books?id=...nayana&f=false ), calling it a "Hinayana" practice. He also is not too keen on the "Mahayana" way of breathing from the Hara either, seeming to say "long breaths are long, short are short" not coming or going to anywhere. In my opinion, modern teachers who instruct in counting breath might be helping newcomers get settled a bit (I tell newcomers to follow the breath for awhile or when the head is really running wild), but if they leave students doing so for years,or leave them with the impression that such calming is the point of Shikantaza, they are doing them a disservice. That IS NOT Shikantaza. I am not sure where the breath counting was reintroduced historically, but it is not really introducing students to the power of Shikantaza.
also point you to Keizan in Zazen yojinki, who does seem to recommend some breath following in limited uses, especially for particularly unsettled times .... "Sometimes [in Zazen] your body may feel hot or cold, rough or smooth, stiff or loose, heavy or light, or astonishingly wide-awake. Such sensations are caused by a disharmony of mind and breath. You should regulate your breathing as follows: open your mouth for a little while, letting long breaths be long and short breaths be short, and harmonize it gradually. Follow your breath for a while; when awareness comes, your breathing will be naturally harmonized. After that, breathe naturally through your nose" and "[At ordinary times:] Place the tongue on the palate and breathe through the nose. The mouth should be closed. The eyes should be open but not too wide nor too slight. Harmonizing the body in this way, breathe deeply with the mouth once or twice. Sitting steadily, sway the torso seven or eight times in decreasing movements. Sit straight and alert. Now think of what is without thought. How can you think of it? Be non-thinking. This is the essence of zazen."
Kindly post all comments, questions, impressions and objections regarding this Series and any of the videos in this thread. (I have had to do so to keep the lessons in sequence).
If refrencing a particular talk, it woud be nice to mention which one. Thank you so much.
Gassho!
In the observation of respiration, particularly in the Hara area, it is the movement of the muscles of the lower abdomen that must be contemplated and not the breathing as such, this is the
correct consideration of how to observe the breath ?.
Thanks for your kindness.
Gassho.
Francisco
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