Heart Attack Sutra interview
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Nindo
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...then the obvious finally dawned on me that it is saying the 4NT's are empty, and it was one of those life changing "aha" moments. Realizing that the 4NT's are empty freed and completed them. They were mountains, then they were not mountains, then they were mountains again. They were freed. Form is Form, Form is empty, Form is form .ALL OF LIFE IS OUR TEMPLEComment
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Is the Heart Sutra itself not a wonderful expression of emptiness? Its evolution through translations, recensions, reinterpretations is a fluid, living process. Some byproducts of this are not always "skillful", conveying the Truth as we're familiar or as we believe was the original, authentic teaching. Some could be outright scams, whipped together by someone looking to sell a bunch of books.
But each of these instances is part of a stream. The unbroken, always folding and wiggling of things. The "original" text itself is not fixed. Whether translated from a Sanskrit original, or back translated to seem authentic, the most often used Chinese version is an expression of Chinese thought as much as Indian, it carries history and stories, politics and culture in between each of its characters.
I don't believe this gives us an excuse to believe or interpret what we want to about the text as far as emptiness goes. We still have to read it and understand it within the relative and absolute. The Heart Sutra has been a really inspiring part of my practice because it feels like a thread that I can pull on to reveal Buddhism and practice to me.
This makes me wonder though, to what degree can or should Buddhist texts be rewritten or reinterpreted? Just as Joshu's dog has or doesn't have Buddha Nature according to the moment-to-moment interaction between teacher and student. Where is the line between recognizing and honoring tradition and creating new teachings that can speak in a modern language?
Sorry for the silly thoughts, hope they make sense.
Gassho,
JeffComment
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Gassho, JishinComment
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