Hi everyone!
I'm new to Treeleaf, happy to be here! I've been sitting zazen for about 2 years now. Recently though, I've been struggling with practice due to certain physical symptoms, mainly unexplained shortness of breath and irregular heartbeats which both tend to get worse with exertion. Most of the time it feels like I'm struggling to breathe properly. Needless to say, this can make sitting quite uncomfortable! When it's really bad, it feels like somebody's sitting on my chest and I'm not getting enough air. The cardiologist I've been seeing told me that it's nothing heart related and the irregular beats are benign, but he referred me to a pulmonary specialist who is still trying to figure out what the issue is.
So because of this, my zazen has become increasingly difficult. It seems like the best approach is to just sit anyways, and allow whatever sensations I'm experiencing to arise. However, this is quite unpleasant at times; breath is such an important part of practice, and when it's compromised, it's not something you can ignore, especially when you're observing it directly. I was wondering if anybody has ever had a similar experience, or might be able to shed some light on how to cope with this type of thing during practice.
Gassho,
Scott
SatToday
I'm new to Treeleaf, happy to be here! I've been sitting zazen for about 2 years now. Recently though, I've been struggling with practice due to certain physical symptoms, mainly unexplained shortness of breath and irregular heartbeats which both tend to get worse with exertion. Most of the time it feels like I'm struggling to breathe properly. Needless to say, this can make sitting quite uncomfortable! When it's really bad, it feels like somebody's sitting on my chest and I'm not getting enough air. The cardiologist I've been seeing told me that it's nothing heart related and the irregular beats are benign, but he referred me to a pulmonary specialist who is still trying to figure out what the issue is.
So because of this, my zazen has become increasingly difficult. It seems like the best approach is to just sit anyways, and allow whatever sensations I'm experiencing to arise. However, this is quite unpleasant at times; breath is such an important part of practice, and when it's compromised, it's not something you can ignore, especially when you're observing it directly. I was wondering if anybody has ever had a similar experience, or might be able to shed some light on how to cope with this type of thing during practice.
Gassho,
Scott
SatToday
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