Well ...
Generally I am not a fan of anything that over romanticizes, prettyfies or idealizes temples, practice, Asian scenes or Buddhist figures living or dead. If you take anything or anybody, give it the Hollywood treatment, you can photoshop an image into something smooth, polished and fakey-glorious. On the other hand, it has been going on since the early days of Buddhism when they started to paint pictures of the Buddha and Buddhalands that looked like this ...
Of course, one could say that the film or idealized picture captures some essence. Perhaps, but in many cases it just turns people or places into a postcard or cardboard cutout. It becomes hard to tell where the real person or place begins, and the music video/PR job begins. Are we looking at the real person, or an airbrushed version? What is wrong with life with all its warts, sweat and plumbers butts?
No, I rather disagree with this statement ...
The filmmaker captured the essence of the practice so well with each frame, "This moment....This moment...This moment.."
Perhaps, in the sense that Zen Practice leaves nothing out ... real or fake ... so even a polished and improved PR job is real. Even press agents and tv commercial directors (selling Zen folks like they were selling salad dressing or a chevrolet) have Buddha Nature. On the other hand, I do not think it captures the essence of anything because it is kinda fake.
I am somewhat reminded of those airbrushed postcards of Japan's Mt. Fuji that look like this ...
... when many scenes around Mt. Fuji look more like this ...
Zen Practice is not about polishing up life's ugly. It is more about seeing right through the beautiful and ugly to something truly Beautiful.
By the way, don't let my comments about the film take away from Hyon Gak Sunim, who I feel is a very gifted teacher and sincere practitioner. He is someone very very special. Here is a very clear interview he gave to Public Television awhile back.
Hans, maybe we have to get that fancy camera, professional lighting and a make-up department, and improve our production values around here? :-)
Gassho, J
Generally I am not a fan of anything that over romanticizes, prettyfies or idealizes temples, practice, Asian scenes or Buddhist figures living or dead. If you take anything or anybody, give it the Hollywood treatment, you can photoshop an image into something smooth, polished and fakey-glorious. On the other hand, it has been going on since the early days of Buddhism when they started to paint pictures of the Buddha and Buddhalands that looked like this ...
Of course, one could say that the film or idealized picture captures some essence. Perhaps, but in many cases it just turns people or places into a postcard or cardboard cutout. It becomes hard to tell where the real person or place begins, and the music video/PR job begins. Are we looking at the real person, or an airbrushed version? What is wrong with life with all its warts, sweat and plumbers butts?
No, I rather disagree with this statement ...
The filmmaker captured the essence of the practice so well with each frame, "This moment....This moment...This moment.."
Perhaps, in the sense that Zen Practice leaves nothing out ... real or fake ... so even a polished and improved PR job is real. Even press agents and tv commercial directors (selling Zen folks like they were selling salad dressing or a chevrolet) have Buddha Nature. On the other hand, I do not think it captures the essence of anything because it is kinda fake.
I am somewhat reminded of those airbrushed postcards of Japan's Mt. Fuji that look like this ...
... when many scenes around Mt. Fuji look more like this ...
Zen Practice is not about polishing up life's ugly. It is more about seeing right through the beautiful and ugly to something truly Beautiful.
By the way, don't let my comments about the film take away from Hyon Gak Sunim, who I feel is a very gifted teacher and sincere practitioner. He is someone very very special. Here is a very clear interview he gave to Public Television awhile back.
Hans, maybe we have to get that fancy camera, professional lighting and a make-up department, and improve our production values around here? :-)
Gassho, J
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