I'm working on thomas cleary's translation..this is a very interesting text.has anyone else read this? this text is considered very important in old chinese zen circles and cultural buddhists that have a dash of every tradition in their lives in places like china and japan.The first book speaks of the how the buddhas pentrate every fabric of being and it taps into who the various deities of spirits cities forests insentient and sentient reached libearation.This is kind of like the practice of zazen and realizing enlightenment in the moment.All beings have the karmic potential to be enlightened due to our buddha nature which lies in everything..
avatmaska sutra (flower ornament)
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avatmaska sutra (flower ornament)
As the ultimate instruction there is simply no teaching that is superior to the true practice of the awakening to one's own nature.-HAKUINTags: None -
Re: avatmaska sutra (flower ornament)
I've read it. It is very interesting, although very, very boring (in my opinion - and I usually like reading sutras!) . Could be the English translations though.
If you like Avata?saka, try the novel Little Pilgrim by South Korean poet Ko Un. It's a beautiful story based on the last chapter of the Avata?saka s?tra.The mind does not know itself; the mind does not see itself
The mind that fabricates perceptions is false; the mind without perceptions is nirv??a -
Re: avatmaska sutra (flower ornament)
Hi,
The "Flower Garland" ("Hua-Yen" in Chinese or "Kegon" in Japanese) Sutra and school has had an important, although indirect, influence on Zen perspectives via the Hua-yen/Kegon and Tendai traditions (Dogen was a Tendai monk and Tendai incorporated some of Hue-yen, and Dogen was always heavily influenced by his studies there during his career and, I feel, his writings overflow with beautiful Hua-yen ... or might as well be Hua-yen ... imagery).
Countless Buddhas in every blade of grass, every blade of grass holding the whole universe and all universes ... etc.
Heinrich Dumoulin has a bit on this from page 45 to 49 here (although his romantic depiction of Japanese nature and art at the end is a bit "over the top").
Unparalleled in scope and detail, this classic history of Zen covers all important ideas and developments in the tradition from its beginnings in India through the Sung period in China.
Gassho, JundoLast edited by Jundo; 03-03-2014, 04:43 PM.ALL OF LIFE IS OUR TEMPLEComment
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Re: avatmaska sutra (flower ornament)
I've always loved the imagery in the Avata?saka Sutra. I even started a bit of a computer imaging project, which seems never to get completed, some time ago inspired from the sutra....sample image below.
Originally posted by JundoThe "Flower Garland" ("Hua-Yen" in Chinese or "Kegon" in Japanese) Sutra and school has had an important, although indirect, influence on Zen perspectives via the Hua-yen/Kegon and Tendai traditions (Dogen was a Tendai monk and Tendai incorporated some of Hue-en, and Dogen was always heavily influenced by his studies there during his career and, I feel, overflow with beautiful Hua-yen ... or might as well be Hua-yen ... imagery).
Originally posted by anistaIf you like Avata?saka, try the novel Little Pilgrim by South Korean poet Ko Un. It's a beautiful story based on the last chapter of the Avata?saka s?tra.
Gassho,
Jisen/BrianW
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Re: avatmaska sutra (flower ornament)
This is great info I'm a big fan of Ko Un. I have seen many photographs of japanese zen monks also wearing traditional tendai robes.The cultural interweave is very interesting.Dogens practice on Mt. Hiei is also an interesting factor.Thanks guys!As the ultimate instruction there is simply no teaching that is superior to the true practice of the awakening to one's own nature.-HAKUINComment
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