Hello friends,
I'm hoping to open up a discussion around the general question of "how does insight arise from zazen/shikantaza?" This is a question I've been thinking of as I pursue my Pali canon studies in conjunction with Zen practice.
Traditional commentaries on the Pali Canon express a "dual" path to meditation of samatha (concentration) and vipassanā (insight). While samatha is seen as necessary to develop one-pointedness, it is insight (re: the three marks of existence) that is regarded as necessary in the development of wisdom which leads to liberation. Of course, these need not be seen as entirely separate given that concentration supports insight and vice versa - which is a view supported by the Pali suttas as has been discussed before.
It's well-known that Chan meditation is sometimes regarded as a synthesis of samatha and vipassanā. In the Platform Sutra, we have Huineng putting it as follows: "Good friends, this Dharma teaching of mine is based on meditation (定) and wisdom. But don’t make the mistake of thinking that meditation (定) and wisdom are separate. Meditation and wisdom are of one essence and not two. Meditation (定) is the body of wisdom, and wisdom is the function of meditation (定)." I highlight the character 定 as it points to "fixing upon" or "settling" the mind i.e. concentration.
A cursory review of Theravadin meditation techniques reveals a vast library of technical manuals around how samatha leads to jhana and vipassanā leads to insight. We find comparably less 'gradualist' explanation from traditional Chan and Zen sources, which seem to emphasize more, for example, the natural unfolding or actualization of Buddha-nature in practice (e.g. Dogen). In place of technical meditation manuals we are often given poetic pointers. One such is the notion of "turning the light around."
From the Xinxin Ming: One moment of reversing the light Is greater than the previous emptiness. The previous emptiness is transformed; It was all a product of deluded views.
Shitou: Turning my own light in upon myself (迴光返照), I return And penetrate into the spiritual source, neither front nor back.
How might we interpret these pointers in light of Chan-Zen meditation as a samatha-vipassana practice? What is turning the light? How do we understand insight to arise from a practice like shikantaza? Another way to phrase this inquiry might be: what is practice really?
Gassho.
I'm hoping to open up a discussion around the general question of "how does insight arise from zazen/shikantaza?" This is a question I've been thinking of as I pursue my Pali canon studies in conjunction with Zen practice.
Traditional commentaries on the Pali Canon express a "dual" path to meditation of samatha (concentration) and vipassanā (insight). While samatha is seen as necessary to develop one-pointedness, it is insight (re: the three marks of existence) that is regarded as necessary in the development of wisdom which leads to liberation. Of course, these need not be seen as entirely separate given that concentration supports insight and vice versa - which is a view supported by the Pali suttas as has been discussed before.
It's well-known that Chan meditation is sometimes regarded as a synthesis of samatha and vipassanā. In the Platform Sutra, we have Huineng putting it as follows: "Good friends, this Dharma teaching of mine is based on meditation (定) and wisdom. But don’t make the mistake of thinking that meditation (定) and wisdom are separate. Meditation and wisdom are of one essence and not two. Meditation (定) is the body of wisdom, and wisdom is the function of meditation (定)." I highlight the character 定 as it points to "fixing upon" or "settling" the mind i.e. concentration.
A cursory review of Theravadin meditation techniques reveals a vast library of technical manuals around how samatha leads to jhana and vipassanā leads to insight. We find comparably less 'gradualist' explanation from traditional Chan and Zen sources, which seem to emphasize more, for example, the natural unfolding or actualization of Buddha-nature in practice (e.g. Dogen). In place of technical meditation manuals we are often given poetic pointers. One such is the notion of "turning the light around."
From the Xinxin Ming: One moment of reversing the light Is greater than the previous emptiness. The previous emptiness is transformed; It was all a product of deluded views.
Shitou: Turning my own light in upon myself (迴光返照), I return And penetrate into the spiritual source, neither front nor back.
How might we interpret these pointers in light of Chan-Zen meditation as a samatha-vipassana practice? What is turning the light? How do we understand insight to arise from a practice like shikantaza? Another way to phrase this inquiry might be: what is practice really?
Gassho.
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