Hi It would be good to encourage other members to start threads on artistic projects you are working on.
To get the ball rolling, here is something I have been working on. First, to be clear, this project is personal and has no relationship with Treeleaf training. The content is not intended as a serious expression of Dharma in any way, it is just being playful.
I have been oil painting for many years but recently have become intrigued by the possibilities of digital painting. I installed a free, basic, paint program called paint.NET, that comes with no strings attached, and can be customized with a variety of pluggin tools created by users of the program. This allows for creating images pixel by pixel, adapting textures from photographic sources, and all manner of layering, combining, and manipulation. After some experimentation, I settled on a procedure that begins with a drawing, then uses sample textures from my own oil paintings and photographs to flesh out the image.
The overall long term project is a fun graphic novel that is visually cinematic throughout the narrative, so that the reader can experience the story like a movie going experience.
I'll start by sharing some background landscapes or "sets" that will be populated by characters.
(For some reason the images will not upload, so I will just post links.)
Here is a drawing of a fantastical landscape, a place in the story called the Sawtooth Range. It was done very quickly and loosely, the idea being that the realism of the digital textures would be wrapped around unrealistic, stylized, forms .
Then here is the setting after digital painting.
Here are other digital settings created in the same way..
You will notice that the rock formation in the second image echoes the shapes of the boats in the first. That is for narrative reasons.
Here is an example of a setting, with characters inserted.
The inspiration for this is image is (among other things) "Mitsukuni Defying the Skeleton Spectre Invoked by Princess Takiyasha" by Utagawa Kuniyoshi (1798–1861).
So here is the setting....
...my son modelling the figure.
...and the final result...
The character is called Tanha Brah and is described in the story as "one of the great decaying peacocks of the realm". This is a graphic novel so there will be speech balloons and many graphic elements and insertions.
Please share any thoughts.... ask any questions about the process and tools. Please share any graphic experiments you have made. Start a thread, there is no judging here, only support.
Gassho
Daizan
sat today
To get the ball rolling, here is something I have been working on. First, to be clear, this project is personal and has no relationship with Treeleaf training. The content is not intended as a serious expression of Dharma in any way, it is just being playful.
I have been oil painting for many years but recently have become intrigued by the possibilities of digital painting. I installed a free, basic, paint program called paint.NET, that comes with no strings attached, and can be customized with a variety of pluggin tools created by users of the program. This allows for creating images pixel by pixel, adapting textures from photographic sources, and all manner of layering, combining, and manipulation. After some experimentation, I settled on a procedure that begins with a drawing, then uses sample textures from my own oil paintings and photographs to flesh out the image.
The overall long term project is a fun graphic novel that is visually cinematic throughout the narrative, so that the reader can experience the story like a movie going experience.
I'll start by sharing some background landscapes or "sets" that will be populated by characters.
(For some reason the images will not upload, so I will just post links.)
Here is a drawing of a fantastical landscape, a place in the story called the Sawtooth Range. It was done very quickly and loosely, the idea being that the realism of the digital textures would be wrapped around unrealistic, stylized, forms .
Then here is the setting after digital painting.
Here are other digital settings created in the same way..
You will notice that the rock formation in the second image echoes the shapes of the boats in the first. That is for narrative reasons.
Here is an example of a setting, with characters inserted.
The inspiration for this is image is (among other things) "Mitsukuni Defying the Skeleton Spectre Invoked by Princess Takiyasha" by Utagawa Kuniyoshi (1798–1861).
So here is the setting....
...my son modelling the figure.
...and the final result...
The character is called Tanha Brah and is described in the story as "one of the great decaying peacocks of the realm". This is a graphic novel so there will be speech balloons and many graphic elements and insertions.
Please share any thoughts.... ask any questions about the process and tools. Please share any graphic experiments you have made. Start a thread, there is no judging here, only support.
Gassho
Daizan
sat today
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