Heaven

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  • RichardH
    Member
    • Nov 2011
    • 2800

    Heaven

    I would like to begin a series of Art Forum investigations into Buddhist Mythology and Symbolism. There is a beautiful and rich history to look into, and even though most people (especially in “the west” ) no longer take these myths literally, it would be a shame to overlook them as “mere’ myths, because they offer valuable insights into ourselves, and into the cultural origins of our tradition.

    Since we are now in Ango, and preparing for Jukai, it would be a good idea to keep this light, so I am only asking for a simple response on this thread... a few words, a picture, whatever suits you, would be great.


    I’ll start with the Bhavacakra, or Wheel of Samsara. The Bhavacakra depicts the six symbolic abodes of life. It is a big topic with a lot of ground to cover, so lets start with a brief overview and then look at one of these abodes each month. We can slowly work our way around the rest of the wheel. The first abode is “Heaven”

    A traditional view of “Heaven” and a Bhavacakra overview.

    Accoding to Buddhist tradition there are Heavens... called the Tusita heavens, or Devaloka, realm of the Devas. These Heavens are relatively happy states-of-being, enjoyed by the gods. They are different from Heaven as concieved in non-Buddhist traditions in one very important way, they are impermanent. Heaven is one of the worlds we pass through as we circle the wheel of life. It is also good to keep in mind that in the Buddhist view a state-of-consciousness and a “world” are one and the same phenomena. The terms are interchangable here.

    There are also unhappy and even hellish worlds on this wheel. As in all cultures artists have taken relish in depicting those. I do not think this is due to sadism, but because, as Alan Watts noted with humor...Heaven tends to be visually boring and Hell is visually interesting. A riotous demon can be more fun to paint than peaceful Deva. Like heaven these hellish states are also impermanent. Each world/state lasts as long as karmic conditions support it, but all states are impermanent. This is where the term Samsara comes from. Samsara is a wandering of perpetual becoming, perpetual me-ing, perpetual world-ing. We wander in circles as we “chase our tail” seeking permanent fullfillment in impermanent conditions.

    In popular culture “Nirvana” tends to be equated with heaven as a blissful transcendent state, but nirvana does is not mean the same thing as heaven. In the traditional Buddhist understanding “Nirvana” means to extinguish, as in to extinguish a fire. Fuel for the fire of consciousness dries up when all the states of Samsara, including the most heavenly, are deeply understood to be impermanent, empty of inherent existence, and unsatisfatory. When the practitioner is no longer chasing his/her tail, he/she is no longer bound by the wheel of becoming. This is the view of Nirvana still held by many Buddhists today.

    In our practice, the way of Zazen, which is a later evolution of the Buddhist way, we do not reject samsara, but seek to realize “nirvana”, unconditioned peace, amidst and within the fire of consciousness, amidst and within All states-of-being, both happy and unhappy. This evolution of view and doctrine is big topic that I hope we can look at down the road.


    Descriptions of Heaven.

    Just as in most other religious traditions, in Buddhism there are both literal and symbolic understandings of “heaven”. I think it would be wrong to assume that the symbolic understanding is modern, and the literal one is “old world”. Both these view have always existed, in the same way that Christianity has always had its “exoteric” and “esoteric” streams. The “exoteric”, or literal view, is that there are “places” up in the sky, or beneath the crust of the earth, populated by Devas and Demons. Most students today do not have that world-view, but I do not think it is helpful to jettison the poetic visual language of the past. It is better to appreciate it as a cultural treasure, and as potent symbolism.


    Here follows some descriptions of “esoteric” and Non-literal heavens in Buddhism....

    Heaven realms always involve some form of absorption that transcend time and space. This is true in both the mythical accounts of gods, and of practitioners today. This may sound way out, but please bear with me because I will describe something everyone has more or less experienced.

    First let’s look at the traditional monastic experience of heaven. These are the so called Jhanas. Today much is made of them, and some people treat the subject as a matter of achievement.
    In the monastic setting where much time is devoted to meditation, the activity of the mind can become very quiet, and the practitioner can enter into states of absorption....of deepening stillness and silence, where the more coarse sense-of-being falls away. These experiences can be very subtle, very expansive, blissful, and “timeless”. In some non-Buddhist traditions they are described in terms of divine essence, Godhead, and so forth. The important thing to know from a Buddhist perspective is that these absorption experiences are also Samsara. They are impermanent, empty of inherent existence, and ultimately unsatisfactory. I remember a conversation I had once with the abbot of a monastery, where he described a novice monk who was not allowed to meditate because he could easily slip into absorption. Every time he sat he entered into absorption, and he had become addicted, literally addicted to heaven. The solution? ...when other monastics were in the mditation hall, he was assigned physical work.


    Then there are the heaven experiences we can all relate to, and enjoy. This past weekend my wife and I had a little getaway to mark an anniversary. At one point we were walking ankle deep along the shore of a busy beach. Along the way we came to a sand bar with a little lagoon, and all along that sand bar were children with buckets digging. We stopped and watched for a long time. The sun was bright and the water around them was sparkling. The soundscape was a vast sea of joyful voices, birds, waves, and the distant thrum of a boats. One child was clearly immersed in this floating world, yet also clearly absorbed in creative play. We can all remember being a child joyfully lost in play on a summer day that seemed to last forever. That is a mark of this kind of “heaven” experience, and a feature of creative play. To be child-like, forgetful of time, and engaged in creativity (or any wholesome activity) is the real Heaven experience. We can all know and enjoy it.

    Those are some thoughts on Heaven. Next month we will look at the next abode on the Bhavacakra, the Asura realm.

    Would you like to share your thoughts on Heaven?

    .........a few words, a sketch, a photo, anything at all... please feel free.


    Gassho
    Daizan
    sat today/LAH

    Just a note...I’m out and about right now, but will post a traditional image of the Wheel of Life when I get home.
    Last edited by RichardH; 09-27-2017, 03:51 PM.
  • Khalil Bodhi
    Member
    • Apr 2012
    • 317

    #2
    tusita-theravada-buddhism-buddhist-philosophy.jpg

    I actually end most of my morning sits with chanting with an aspiration to be reborn in my next life in the Tusita realm to learn from Ariya Mettaya (Maitreya) and eventually ordain under him when he takes his final birth as the next Buddha. Sure, it may seem strange but I find it a useful part of my practice and view (samma ditthi). In fact, the Lord Buddha recommended contemplating the Devata or heavenly beings as a way of brightening the mind. Here's a modern take on this meditation by Ajahn Achalo:

    From http://www.peacebeyondsuffering.org/new-meditations.html"Devanussati — reflection on the fact that deities are born in their exalted states (earthly or ...


    Metta and deep bows,

    Mike
    st
    Last edited by Khalil Bodhi; 09-27-2017, 05:16 PM.
    To avoid all evil, to cultivate good, and to cleanse one's mind — this is the teaching of the Buddhas.
    -Dhp. 183
    My Practice Blog

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    • Eishuu

      #3
      When I think of visual experiences that seem heavenly, I think of that moment in summer in the garden when suddenly there is so much light around that even the shadows reflect the blue of the sky, and everything feels like it's transparent and less solid than normal. Or, that moment at dusk on a beach when for some reason I've never understood the sea suddenly turns a luminous light blue as though made of light and you are not sure what is water and what is sky. Both experiences make me feel elated.

      Gassho
      Lucy
      ST/LAH

      Comment

      • Sekishi
        Dharma Transmitted Priest
        • Apr 2013
        • 5676

        #4
        Originally posted by Daizan
        I’ll start with the Bhavacakra, or Wheel of Samsara. The Bhavacakra depicts the six symbolic abodes of life. It is a big topic with a lot of ground to cover, so lets start with a brief overview and then look at one of these abodes each month. We can slowly work our way around the rest of the wheel. The first abode is “Heaven”
        In a wonderful bit of synchronicity, Domyo Burk just finished a three part series on the six-realms and the Bhavacakra on her Zen Studies Podcast:

        Six Realms of Existence: aka the Wheel of Life, or Samsara - Teaching with rich mythology and imagery, useful independent of a belief in literal rebirth.

        2nd episode of 3 on the Six Realms: the Asura (fighting demigod), Beast, and Hell Realms. Traditional mythology plus how to practice with the teaching.



        The first part covers the heavenly realms, but the whole series may be inspiring for both creative and practice endeavours. She talks about the imagery and mythological elements in detail.

        Gassho,
        Sekishi #sat
        Sekishi | 石志 | He/him | Better with a grain of salt, but best ignored entirely.

        Comment

        • Mp

          #5
          Originally posted by Sekishi
          In a wonderful bit of synchronicity, Domyo Burk just finished a three part series on the six-realms and the Bhavacakra on her Zen Studies Podcast:

          Six Realms of Existence: aka the Wheel of Life, or Samsara - Teaching with rich mythology and imagery, useful independent of a belief in literal rebirth.

          2nd episode of 3 on the Six Realms: the Asura (fighting demigod), Beast, and Hell Realms. Traditional mythology plus how to practice with the teaching.



          The first part covers the heavenly realms, but the whole series may be inspiring for both creative and practice endeavours. She talks about the imagery and mythological elements in detail.

          Gassho,
          Sekishi #sat
          I just finished listening to these, was a very nice talk. =)

          Gassho
          Shingen

          SatToday/LAH

          Comment

          • Khalil Bodhi
            Member
            • Apr 2012
            • 317

            #6
            Originally posted by Sekishi
            In a wonderful bit of synchronicity, Domyo Burk just finished a three part series on the six-realms and the Bhavacakra on her Zen Studies Podcast:

            Six Realms of Existence: aka the Wheel of Life, or Samsara - Teaching with rich mythology and imagery, useful independent of a belief in literal rebirth.

            2nd episode of 3 on the Six Realms: the Asura (fighting demigod), Beast, and Hell Realms. Traditional mythology plus how to practice with the teaching.



            The first part covers the heavenly realms, but the whole series may be inspiring for both creative and practice endeavours. She talks about the imagery and mythological elements in detail.

            Gassho,
            Sekishi #sat

            Awesome! Thank you

            Metta ,

            Mike
            st
            To avoid all evil, to cultivate good, and to cleanse one's mind — this is the teaching of the Buddhas.
            -Dhp. 183
            My Practice Blog

            Comment

            • Meishin
              Member
              • May 2014
              • 829

              #7
              harpist.jpg

              Gassho
              Meishin
              Sat Today LAH
              Attached Files
              Last edited by Meishin; 09-27-2017, 05:14 PM.

              Comment

              • Meishin
                Member
                • May 2014
                • 829

                #8
                Thank you, Daizan

                Gassho
                Meishin
                Sat Today LAH

                Comment

                • Sekishi
                  Dharma Transmitted Priest
                  • Apr 2013
                  • 5676

                  #9
                  Originally posted by Meishin
                  [ATTACH=CONFIG]4618[/ATTACH]
                  Gassho
                  Meishin
                  Is that a Paraguayan harp? It looks like it to me because of the pegs on the soundboard (allowing for some finger techniques that are almost guitar-like and absent from European harps).

                  Gassho,
                  Sekishi #sat
                  Sekishi | 石志 | He/him | Better with a grain of salt, but best ignored entirely.

                  Comment

                  • Meishin
                    Member
                    • May 2014
                    • 829

                    #10
                    Originally posted by Sekishi
                    Is that a Paraguayan harp? It looks like it to me because of the pegs on the soundboard (allowing for some finger techniques that are almost guitar-like and absent from European harps).

                    Gassho,
                    Sekishi #sat
                    Ha! I have no idea, but I'll certainly Google it, Sekishi.

                    Gassho
                    Meishin
                    Sat today LAH

                    Post-Google. Looks like you're right! Good eye.
                    Last edited by Meishin; 09-27-2017, 05:27 PM.

                    Comment

                    • Sekishi
                      Dharma Transmitted Priest
                      • Apr 2013
                      • 5676

                      #11
                      Originally posted by Meishin
                      Post-Google. Looks like you're right! Good eye.
                      Not really, my wife plays and loves the bright sound of the Paraguayan harps. There has been one in our house for almost 20 years now.

                      Paraguayan harpist for anyone who is interested:
                      I was at a fellow Peace Corps Volunteer's going away party in Roberto L. Petit in the Department of Concepcion, where we were able to hear this traditional P...


                      Gassho,
                      Sekishi #sat
                      Sekishi | 石志 | He/him | Better with a grain of salt, but best ignored entirely.

                      Comment

                      • RichardH
                        Member
                        • Nov 2011
                        • 2800

                        #12
                        Great posts!, thank you.

                        Here is an image that shows the traditional Tibetan representation of the Bhavacakra on the left, and my own digital painting of the same subject on the right. There is a lot of very interesting iconography in the traditional image that I hope we can touch upon in this series..



                        And.... thank you for the talk Sekishi. I'll be listening to it tonight while painting.... sweet.

                        Gassho
                        Daizan

                        sat today/ LAH

                        Comment

                        • Jakuden
                          Member
                          • Jun 2015
                          • 6141

                          #13
                          Oh my gosh that's amazing Daizan, you are so talented! I am partway through those podcasts so I found this assignment timely as well! Funny how the heaven realm seems to engender childhood images for so many of us. For me, it was the distant memory of having all immediate needs met, feeling safe, secure, and loved. I will think about how to elaborate on that in some fashion.

                          Gassho,
                          Jakuden
                          SatTodayLAH

                          Comment

                          • Joyo

                            #14
                            Being out in nature away from the hustle and bustle of modern society is my idea of heaven. It always gives me the larger than life feeling, whether watching a bug crawl or observing a squirrel up in a tree. It makes me feel very much in touch with Indra's net, in a much more personal way.

                            I guess from an artistic point of view, that is why I like to draw and paint animals and nature.

                            Gassho,
                            Joyo
                            sat today/lah

                            Comment

                            • Seishin
                              Member
                              • Aug 2016
                              • 1522

                              #15
                              The peace and tranquility of the high Alpes.

                              Thank you Daizan, this is all new to me, (the Buddhist perspective and mythology of course) and a welcome education.

                              STMIZ / lah


                              Seishin

                              Sei - Meticulous
                              Shin - Heart

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