The final sections of Chapter 4 are pages 72-79, beginning with A Different View of Self, and a quote by Ven. Thich Nhat Hahn: “What we most need to do…is to hear within us the sounds of the Earth crying.” This can only make sense if we see ourselves in the web of life instead of as separate individuals. This a thread we’ve been following since our reading of David Loy’s EcoDharma. The authors write, “When we hear the sounds of the Earth crying within us, we’re unblocking not just feedback but also channels of felt connectedness that join us with our world.”
The spiral of the Work That Reconnects means that we will always be returning to connect with pain. The following practices are offered as a tool kit as needed.
* The Parsifal Question: What aileth thee? What troubles me about what’s happening in our world?
* The open sentences on page 69 we considered last week. More:
* When I imagine the world we will leave those who come after us, it looks like…
* One of my worst fears about the future is…
* The feelings about this that I carry around with me are…
* Ways I avoid these feelings include…
* Some ways I can use these feelings are…
* The Breathing Through meditation, page 70.
* Creation Expression: Drawing Out Your Concerns, page 75*
* Using Ceremony: A Personal Cairn of Mourning, page 76, or perhaps creating a special altar. What else might you do?
* Personal Conversations. Also, workshops, study groups.
Do any of these practices speak to you? If you try any, please share your thoughts. Although the material in the chapter was created for a workshop setting, has it helped you see your anguish for world differently, or allowed you to accept it? Do you feel your Zen practice helps you sit with these feelings?
*The instructions for drawing were very brief. I’m no expert in this but I have done this as a practice. My good friend is an artist and art therapist. For some years she, another artist, and I would meet weekly and draw, using a recent dream as inspiration. While that, or in this case feelings and concerns for the earth might be an intention, everything gets dropped when drawing. It’s goalless, and you don’t try to produce anything. Often, it’s months or years later that I look at drawing and “see” what I drew.
Thank you for journeying through this chapter with me.
Gassho,
Naiko
The spiral of the Work That Reconnects means that we will always be returning to connect with pain. The following practices are offered as a tool kit as needed.
* The Parsifal Question: What aileth thee? What troubles me about what’s happening in our world?
* The open sentences on page 69 we considered last week. More:
* When I imagine the world we will leave those who come after us, it looks like…
* One of my worst fears about the future is…
* The feelings about this that I carry around with me are…
* Ways I avoid these feelings include…
* Some ways I can use these feelings are…
* The Breathing Through meditation, page 70.
* Creation Expression: Drawing Out Your Concerns, page 75*
* Using Ceremony: A Personal Cairn of Mourning, page 76, or perhaps creating a special altar. What else might you do?
* Personal Conversations. Also, workshops, study groups.
Do any of these practices speak to you? If you try any, please share your thoughts. Although the material in the chapter was created for a workshop setting, has it helped you see your anguish for world differently, or allowed you to accept it? Do you feel your Zen practice helps you sit with these feelings?
*The instructions for drawing were very brief. I’m no expert in this but I have done this as a practice. My good friend is an artist and art therapist. For some years she, another artist, and I would meet weekly and draw, using a recent dream as inspiration. While that, or in this case feelings and concerns for the earth might be an intention, everything gets dropped when drawing. It’s goalless, and you don’t try to produce anything. Often, it’s months or years later that I look at drawing and “see” what I drew.
Thank you for journeying through this chapter with me.
Gassho,
Naiko
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