Hi Guys,
Well, if you did not know much about how Kanji characters work, and the meanings they pack, you will learn a lot this week! You might now see why English language translators have come up with so many ways to express "Genjo Koan." For example, Tanahashi has "Actualizing the Fundamental Point," Nishijima-Cross have "The Realized Law of the Universe", Masao Abe said "Manifesting Suchness," and Cleary came out of left field with "The Issue at Hand." In my upcoming book on Dogen, I think I used "Realizing the Truth Right Here." I wonder if you can extrapolate where all these titles are coming from based on Shohaku's explanation. Is what he is saying about the Kanji hard to follow?
I had forgotten that Rev. Shohaku also used an example of a thumb and a hand to explain a bit about the relative and absolute, as I happened to do this week about "emptiness." Of course, I really ran with it, talking about "Charlie Cell" in the left thumb and all that.
So much of the Genjokoan, like all Zen, comes down to the dance of relative and absolute, emptiness and such.
Any other impressions, comments or questions?
Gassho, Jundo
STLah
Well, if you did not know much about how Kanji characters work, and the meanings they pack, you will learn a lot this week! You might now see why English language translators have come up with so many ways to express "Genjo Koan." For example, Tanahashi has "Actualizing the Fundamental Point," Nishijima-Cross have "The Realized Law of the Universe", Masao Abe said "Manifesting Suchness," and Cleary came out of left field with "The Issue at Hand." In my upcoming book on Dogen, I think I used "Realizing the Truth Right Here." I wonder if you can extrapolate where all these titles are coming from based on Shohaku's explanation. Is what he is saying about the Kanji hard to follow?
I had forgotten that Rev. Shohaku also used an example of a thumb and a hand to explain a bit about the relative and absolute, as I happened to do this week about "emptiness." Of course, I really ran with it, talking about "Charlie Cell" in the left thumb and all that.
So much of the Genjokoan, like all Zen, comes down to the dance of relative and absolute, emptiness and such.
Any other impressions, comments or questions?
Gassho, Jundo
STLah
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