Hello Fellow Fishies,
We swim from "The Source of Bird and Fish Imagery" on p. 168
Here's a great song ...
I kinda don't see the influence of the Chuang Tzu as much as Okumura Roshi. Maybe.
I also want to convey the central points this week with my "dancer" imagery that I like.
We are born and feel like dancers who are doing a dance on a stage. However, in fact, we are the dance come alive through us! We are the stage leaping and twirling with our feet! And how we twirl, leap, gracefully move or fall determines the dance and is the dance. Dance big and gracefully, or small and stumbling, and that is the dance. What is more, leap or trip, fall or twirl is all part of the dance. Even though we try not to trip and fall, and we do our best to be graceful in our movements, if we do end up falling ... falling is just the dance too.
Okumura says that he tried to understand the whole world, the whole dance, every inch of the stage in order to feel it had some meaning. However, he discovered that every little step he takes has all the meaning of the whole dance, the whole world.
And the whole dance comes alive in this instant, this step, the tip of your toes right here. It is all poured into your move right now.
Something like that is what Dogen and Okumura are trying to get at in the chapter, I think.
Gassho, J
STLah
We swim from "The Source of Bird and Fish Imagery" on p. 168
Here's a great song ...
I kinda don't see the influence of the Chuang Tzu as much as Okumura Roshi. Maybe.
I also want to convey the central points this week with my "dancer" imagery that I like.
We are born and feel like dancers who are doing a dance on a stage. However, in fact, we are the dance come alive through us! We are the stage leaping and twirling with our feet! And how we twirl, leap, gracefully move or fall determines the dance and is the dance. Dance big and gracefully, or small and stumbling, and that is the dance. What is more, leap or trip, fall or twirl is all part of the dance. Even though we try not to trip and fall, and we do our best to be graceful in our movements, if we do end up falling ... falling is just the dance too.
Okumura says that he tried to understand the whole world, the whole dance, every inch of the stage in order to feel it had some meaning. However, he discovered that every little step he takes has all the meaning of the whole dance, the whole world.
And the whole dance comes alive in this instant, this step, the tip of your toes right here. It is all poured into your move right now.
Something like that is what Dogen and Okumura are trying to get at in the chapter, I think.
Gassho, J
STLah
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